Paula and I met at a gallery in Chelsea last week. Her work was selected as part of an art exhibition in which all pieces were produced in ceramic. “The curator owns a ceramic factory in Mexico, he called artists to submit ideas that could be produced in that medium,” she said while strolling around the gallery holding a glass full with tequila. After the opening we had diner at the classic New York City dinner on 9^th avenue. It’s been quite a few years since we last met; and even longer since we had a proper and inspiring conversation. Our most recent encounters had been mere coincidences, bumping into each other at art galleries and coffee shops in Mexico. Paula was my production and project-planning teacher in college, and since then our lives have been intertwined in all sorts of ways. She produced a documentary about Javier -my ex-boyfriend- and me as an example of a creative couple; the quasi-ideal love-work relationship, that broadcasted nationally in Mexico. “Am I crazy or I saw you on television?” Fidela asked every time I visited her at my grandmother’s house. Paula moved to New York in 2003 for six months to support my television project. In 2006 we stopped talking after she got into a relationship with Javier short after we had split up. It was by chance that in 2008, while in transit returning from London, we met at a waiting line at the Kennedy airport and were forced to face each other. No apologies were needed; at the end we both understand life as a complex network of lives and stories. I’ve always admired Paula’s devotion – almost obsessive – towards art and beauty. “These days I’ve been fully dedicated to Le Porc Shop,” she said before getting a piece of meatloaf into her mouth. A few years ago she created a furniture brand in an attempt to save the family business; her father had owned a furniture factory for years but cheaper imports from China consumed his market share. As Paula goes deeper into her mashed potatoes I think this is a kind of poetic redemption; all the unsold pieces at the factory are now being transformed by Paula and guest artists. “We are recycling all the unsold furniture and creating new designs,” she says in her melancholic voice. “It is my duty, to keep the family factory running and reinvent it.” After dinner we headed to the after party for the show at Wooly’s in Tribeca where LCD Soundsystem was supposed to be playing. “All the current great Mexican artists are here,” Paula said not counting herself in, “some of these people don’t even talk to me when we met at exhibitions in Mexico.” From my standpoint Paula is a much greater artist, and I believe in a few years someone will say the same about her, without the pretentious part. “Look, that is the guy from LCD Soundsystem,” she said. “Really! We were accidentally rubbing elbows for a few minutes!” I exclaimed in a clearly starstruck moment.